More on Surry Hills By ALEC SMART The Sydney Gay and Lesbian Mardi Gras takes place annually in central Sydney at the end of summer (Feb-March) with a range of activities, performances, exhibitions, workshops and a public fair celebrating gender diversity. The Mardi Gras Parade The highlight is the Parade, which currently features over 12,500 entrants in a cavalcade of elaborate costumes, which flows from the CBD into Darlinghurst, the traditional epicentre of Sydney’s gay and lesbian culture. The participants accompany ornately-decorated floats, usually representing community groups and organisations, the spectacle enlightened by music and fireworks. The floats typically embrace an annual theme, or satirically poke fun at social issues or personalities hostile to the LGBTQI community. Each year a Chief of Parade is chosen to represent the spirit of Mardi Gras. In the past this has included gay actor Rupert Everett, Olympic gold medal winner Matthew Mitcham, and world-renowned gay rights activist Peter Tatchell. The post-parade party, which utilises Sydney’s Entertainment Quarter in Moore Park, is one of the largest party events in Australia, attracting international stars. Previous headliners have included Tina Arena, Boy George, Kylie Minogue, Jimmy Somerville, Village People, Sheena Easton, Courtney Act, Joan Rivers and George Michael. Mardi Gras is both an incredible public spectacle, social highlight and a multi-million dollar revenue earner for Sydney tourism. However, it was initially launched as a protest march and an opportunity for homosexuals to express pride in their identity, during a time when their activities were criminalised, they were targeted for violence and murder by gangs and police, and treated as mentally unwell. Sydney Gay and Lesbian Mardi Gras - Checkered History On 24 June 1978, a chilly mid-winter’s day in Sydney, a crowd of up to 500 people – eventually swelling to around 2000 by 9.30pm in the evening – gathered in Darlinghurst’s Taylor Square to campaign for gay rights and commemorate the infamous Stonewall Riots. The ‘riots’ they wished to remember began in the early hours of 28 June 1969 when New York Police raided the Stonewall Inn in the Greenwich Village neighbourhood of Manhattan, and the locals stood up to them. Police harassment of venues that catered to the gay and lesbian community were not uncommon across USA, but the Stonewall bar invasion triggered a new resistance amidst a changing cultural climate of civil rights protests and opposition to the Vietnam War. It inspired a movement to stand up to the authorities’ systemic marginalising of the lesbian, gay, bisexual and transgendered community – now collectively known by the umbrella acronym LGBTQI. Stonewall is considered one of the most important historic events leading to recognition, respect and ultimately human rights of the LGBTQI community worldwide. Previously, homosexuality was listed as a mental disorder in the USA and Australia. The Sydney rally in 1978, part of a worldwide ‘Gay Solidarity Day’, consisted of a protest march in the morning, a public demonstration in the afternoon, and then a festive parade from Taylor Square along Oxford Street to Hyde Park in the evening, to hear speakers and network. However, as the crowds attending the evening fiesta approached the south-eastern corner of Hyde Park, NSW Police officers suddenly halted the march and impounded the lead truck carrying the public address system. After demanding the participants disperse, the police then encountered unexpected resistance from the gathered revellers – most of whom had endured years of intimidation by Sydney officers. A reportedly ‘jubilant’ crowd, many of whom diverted towards Kings Cross, danced and sang in the main streets around Darlinghurst, until, enraged, police officers removed their identification numbers and waded into the throng, bashing and arresting. Fifty three people were taken into custody, including bystanders who joined the rebellion, incensed by police treatment of the marchers. Sydney Morning Herald printed the names and occupations of those arrested, causing some to lose their jobs. The subsequent trials (the first of which police refused to allow the public and media into the open courtroom), brought considerable embarrassment to the NSW Govt and Premier Wran, a lawyer who prided himself as a supporter of civil liberties. Further protests and arrests ensued, but ultimately, in May 1979, the Summary Offences Act – the hated law that effectively criminalised gay men with jail terms of up to 14 years (and allowed undercover police to entice homosexuals to flirt with them before they were arrested and charged with lewd conduct) - was repealed. In 1984, Premier Wran bypassed his own party and introduced a private members bill to decriminalise being gay – NSW Parliament’s first conscience vote – and on 15 May 1984 The 'Crimes (Amendment) Act 1984' would decriminalise homosexual acts between consenting males over the age of 18. In 1979 the Mardi Gras – derived from the French words for the Shrove Tuesday celebrations that take place prior to the abstinence of Lent (in the lead-up up to Easter) – was attended by 3000 participants, albeit watched by stern police. In 1980 a post-parade party was added to the festivities (amidst the first of several re-names), which attracted as many spectators as participants – around 10,000 – then in 1981, Mardi Gras moved from mid-winter to the end of summer. The parade was well on the way to becoming the world-renowned and beloved event that now attracts tens of thousands of revellers and spectators, is a massive boost to Sydney’s tourism, and draws international stars of music and popular culture to perform on its stages. These days, NSW Police have a more constructive relationship with Mardi Gras, and now enter a float in the annual parade featuring LGBTQI police officers. GLADD float, 2018 Sydney Mardis Gras. Photo: Anne-Marie Calilhanna (Facebook) -------------------------------------------------------- Timeline: highs (and a few lows) of Mardi Gras over the years 1978 – Newly-formed Gay Solidarity Group organise inaugural rally in June. Police halt march, bash revellers and arrest 53 for not dispersing, including members of the public who rush to marchers’ defence. 1979 – Rally renamed Mardi Gras, week-long festivities added plus fundraising dance in Balmain Town Hall. 1980 – Post-parade celebrations added at Paddington Town Hall, last winter rally. 1981 – First summer rally, but postponed from 21 Feb to 21 March due to torrential rain. 1982 – First post-parade party at Sydney Showgrounds. NSW Premier Wran’s Govt amended the Anti-Discrimination Act, making it illegal to discriminate against homosexuals. Roger McKay marched with an Aboriginal flag, the first appearance of an Indigenous flag. Introduction of the Sleaze Ball fundraiser at Paddington Town Hall. 1983 – Sydney City Council placed flags along Mardi Gras parade route. Australia Council provided $6000 funding. 1984 – First Mardi Gras program printed, Sleaze Ball held at the Sydney Showgrounds, homosexuality decriminalised in May. Film footage of the Mardi Gras parade featured in Cold Chisel music video Saturday Night. 1985 – Reverend Fred Nile suggested Mardi Gras be replaced by compulsory public lectures on AIDS prevention. 1986 – ACON (Aids Council NSW) entered their first float in the parade encouraging safe sex. 1987 – 10th anniversary Mardi Gras featured 35 events including a motorcycle rally. An estimated 100,000 attended. 1988 – First float Indigenous float featuring an Aboriginal activist dressed as Captain Cook. First involvement of Dykes on Bikes lesbian motorcycle riders. Channel 10 TV conducted a telephone poll asking if Mardi Gras should be banned, to which 57 per cent of 47,980 callers disagreed. Australian Tax Office (ATO) estimated a tax liability of $71,400, but later granted tax exemption to the Sydney Gay Mardi Gras association. 1989 – Event renamed Sydney Gay and Lesbian Mardi Gras. Parade attendance up to 200,000. A lesbian woman took over the association presidency. 1990 – First Mardi Gras fair held in Glebe’s Jubilee Park. 1991 – Sydney Gay & lesbian Choir perform at parade opening parade. 1992 – Rainbow flag incorporated into Mardi Gras poster design. Economic Impact Study found Mardi Gras brought $38 million to local economy. Mardi Gras management worried about losing LGBTQI identity due to event’s popularity with mainstream revellers. 1993 – Mardi Gras rejected $33,000 condom advertisement that would have tied Playboy magazine’s bunny logo to the event. 500,000 spectators enjoyed the parade. 1994 – Kylie Minogue sings at post-parade party. Parade broadcast on TV for the first time, on ABC, and Cadbury Schweppes chocolate and beverage maker withdraws advertising in protest. 1995 – French artists Pierre and Gillies design main poster. Singer Boy George performs at after-show party. 1996 – Record number of 90 floats in parade. Telstra become major sponsor, first significant corporate investor. First Australian Defence Force float. Reverend Fred Nile threatens to sue after mock puppet of him in cage appears. 1997 – First gay NSW MP Paul O’Grady a guest speaker. Channel 10 TV takes over coverage of parade. Puppet head of Pauline Hanson MP carried along street. 1998 – 20th anniversary, 228 original marchers join parade. First time NSW Police also march in parade. Mardi Grass estimated to contribute $99 million to Sydney economy. Fair moves from Jubilee Park to Victoria Park, Broadway. First internet broadcast of parade attracts 20,000 online viewers. Kylie and Danni Minogue appear onstage together. Pauline Hanson loses seat in election and her puppet head explodes during public announcement. 1999 – AIDs memorial marchers carry over 1000 red flags. 2000 – Olympics-themed event. Centennial Park concert ended with Helen Reddy singing ‘I am Woman’ 2001 – Lead float features same-sex couple and their children. 2002 – Mardi Gras recognised as Hallmark Event, exempt from paying police, ambulance and Roads and Traffic Authority fees, but sharp increase in insurance sees festival post $500,000 loss and go into voluntary administration. 2003 – New administration rely heavily on donations. Ian Roberts, first high-profile gay rugby league player in the world is Chief of Parade. 2004 – Former nun Monica Hingston, cousin of Archbishop of Sydney Cardinal George Pell, leads the parade 2005 – First time parade led by an Indigenous float. 2006 – Gaydar provide $1.5million in sponsorship. 2007 – Flash mob of spontaneous dancers danced a conga line from Opera House to Customs House via Opera Quays. 2008 – NSW Govt fund Mardi Gras for first time with $400,000 donation after they were criticised for spending $142 million on World Youth Day, a comparable-sized event. Olivia Newtown-John performs ‘Xanadu’ 2009 – Mathew Mitcham, Australian Olympic gold medalist, was Chief of Parade. 2010 – 5,200 people stripped naked and lay down on the steps and forecourt of Sydney Opera House for an art installation by photographer Spencer Tunick. Parade and post-parade party mistakenly booked for separate Saturdays. 2011 – Debate over whether to drop ‘Gay and Lesbian’ from Mardi Gras and simply call it ‘Sydney’. Intersex formally accepted in LGBTQ acronym, changing it to LGBTQI. Eight Chiefs of Parade instead of one 2012 – Mardi Gras new logo revealed. Kylie Minogue appears with 140 dancers and performs medley of her best-known songs. Informal parties in back streets of Surry Hills and Darlinghurst amalgamated as Laneway Party. Chief of Parade is Shelley Argent, national spokesperson for Parents and Friends of Lesbians and Gays 2013 – Scissor Sisters close their Australian tour at parade after-party. NSW Police sign accord to work closer with Mardi Gras after video of an aggressive arrest of a teenager at the parade went viral. First time Australian armed forces march in uniform. City of Sydney Council paint giant rainbow crossing across Taylor Square, Darlinghurst, to celebrate the Mardi Gras. When it was painted over a few weeks later there was an international outcry. 2014 – NSW Premier Mike Baird’s unpopular LockOut Laws came into force over Mardi Gras weekend, restricting celebrations. Later in 2014, NSW Govt purged convictions of men previously prosecuted for sodomy. First appearance of People with Disabilities Australia in parade. SBS TV screened highlights of parade the following evening. 2015 – ‘Are You Ready For Freddy’ video, featuring dancers dressed as the late Queen singer and gay icon Freddie Mercury, filmed in Darling Harbour. Sydney Convicts LGBTQI rugby team lead parade. 2016 – NSW Govt, NSW Police and Fairfax Publishing make formal apologies to Mardi Gras participants for horrendous policing and media coverage of the first parade in 1978. Fair moved to Camperdown Memorial Park in Newtown. 2017 – 40th anniversary. Danni Minogue ends celebrations on the Opera House steps. Week-long Indigenous events, Koori Gras, added to Mardi Gras programme. City of Sydney sponsor a Say Yes To Love float to promote support for ‘yes’ vote in forthcoming national Plebiscite on Same-Sex Marriage. 2018 – Museum of Love and Protest at National Art School showcases forty years of parade costumes, photos, video and artefacts. 200 participants from original 1978 protest march join parade. Pop star Cher headlines Mardi Gras party. 2019 – Mardi Gras Party attracted over 12,000 people to Sydney’s Entertainment Quarter in Moore Park to celebrate. 2020 – Mardi Gras was held days before NSW’s Covid-19 lockdown placed severe restriction on socialising and entertainment venues. Gender Euphoria stage show brought together Australia’s biggest line-up of trans and gender-diverse performers to share a stage together. Gay and Lesbian Association of Doctors and Dentists, 2018 Mardis Gras. Photo: Jax Fong =======================================

A little outdoor play time is good for everyone, and in Surry Hills the combination of fabulous playgrounds and surrounding cafes is the perfect combo. While the kids learn to swing, balance and climb, you can sit back and enjoy a cuppa along with some well earnt outdoor time. Here’s our top 3 picks so you’re ready to go when you hear the words, “can we go to the park?” Disguised the first Saturday of each month by the Surry Hills Markets, Shannon Reserve is perfect for little ones and toddlers. It has a partially enclosed area as well as swings, a slide and climbing equipment. Being conveniently located on Crown Street, grabbing a coffee and snack on your way to the park is a breeze. You may even have time to check out the public library which is also nearby. Ward Park, conveniently located next to a light rail stop, has two playgrounds and is not only great for the little ones with swings and climbing equipment, but also the big ones with a skate bowl and outdoor Ping-Pong tables. Everyone loves a pastry or a sausage roll and you’ll be happy to know that Burke Street Bakery is directly across the road from this playground pleaser. By far the biggest and most extensive in Surry Hills, is the Prince Alfred Park Playground, on the Corner of Cleveland and Chalmers streets. This popular playground destination is home to seesaws, swings, a walking track and plenty of grass to run about on or have a picnic. For the bigger kids there are basketball and tennis courts, as well as the all-weather temperature regulated swimming pool right next door. With BBQ facilities and public toilets, it’s great if you are planning a day out as it’s truly an oasis in the city. So there you have it the Playground and Café combo, inexpensive entertainment where everyone’s a winner!

Bryan Hayhow is a volunteer with Australian School of Meditation and Yoga and believes this ancient practice can do much to encourage a healthier community. The Australian School of Meditation and Yoga (ASMY) is a non-profit organisation that shares principles and techniques of meditation, yoga, and kirtan at no or very low cost to participants. With branches throughout Australia as well as an abundant offering online, its services are easily accessible and generous. Bryan Hayhow has lived in Glebe for 15 years and been part of the ASMY studio in Chippendale for the last seven years. He is very supportive of the local community, using his skill and knowledge and the resources available through ASMY to encourage wellbeing and peace. “Our involvement with the studio is our main contribution, as we are a non profit organisation that offers yoga & meditation tuition for the benefit of the community,” he explains. “We also run associated Wellness workshops and teach Vedic philosophy in local schools such as Fort Street High (and across the Sydney basin). Our aim is to create the opportunity for residents to develop a more balanced and holistic lifestyle, catering for all of their physical, mental and spiritual needs.” The ASMY website includes a whole host of videos including yoga instruction, kirtan sing-a-longs, meditation guides, easy healthy recipes, philosophy and more. You will also find their timetable of workshops and sessions here. asmy.org.au ASMY Broadway 154-160 Broadway Chippendale 0414 672 709 sydney@asmy.org.au

More on Turramurra We look at the life of Grace Cossington Smith, the beloved Australian artist who captured the colour, shape and magic of the North Shore. Cossington, at 43 Ku-ring-gai Avenue, is a heritage-listed property with a delightful garden. It was home to one of Turramurra’s most famous residents and one of Australia’s most celebrated artists, Grace Cossington Smith. Cossington Smith was born Grace Smith in 1892 in Neutral Bay. Her mother, also called Grace, was the daughter of the rector in Cossington, Leicestershire, England and grew up in Cossington Hall. It obviously held fond memories for her because she named the house at Neutral Bay “Cossington”. When the family moved to the house in Turramurra, they also called it “Cossington”. The younger Grace later adopted Cossington as part of her name. Cossington Smith attended Abbotsleigh School for Girls in Wahroonga from 1905 to 1909 before studying drawing with the Italian born artist, Antonio Dattilo Rubbo, in Sydney for two years. She and her sister were then sent to England to live with an aunt from 1912 to 1914. There, Cossington Smith furthered her artistic studies, travelling to Germany for a short period. When she returned to Sydney, Cossington Smith resumed her tutelage with Rubbo. Also studying with him was noted painter, Norah Simpson, who had spent time in France where she was exposed to the new modernist movement. Simpson and modernism had a distinct influence on Cossington Smith who adopted the style and became, arguably, the first Australian modernist painter. The landscapes and daily life of Sydney and its surrounding (especially northern) suburbs feature prominently in Cossington Smith’s work. She has depicted her own home, garden and the streets of Turramurra in many of her works. The Eastern Road, painted in 1926, typifies the artist’s painting style with its bold shapes and colours and almost cartoonishly distorted dimensions. It shows an undulating road with a lone horse and cart on it. The rural setting is broken by conspicuous telegraph poles along the perimeter of the road, capturing the melding worlds of country life and city which Cossington Smith would have experienced. Grace Cossington Smith died in 1984, aged 92.

Newtown High School of Performing Arts; the school that always performs well. If Newtown is a hub of creative expression then it’s only natural that one of Australia’s leading performing arts schools is located right in the heart of the suburb. Newtown High School of Performing Arts Back Story Newtown High School of Performing Arts (NHSPA) championed a spirit of individualism right from the get go - it was the first performing arts school of its kind in New South Wales. Founded in 1990, it was a merger of Petersham Girls High and Newtown Boys High. Located near the top end of King Street, the campus has received several upgrades since the inception of the school. It now includes a hard-surface playground, a grass oval, a gymnasium, dance studios, drama rooms, music practice rooms, visual arts studios, a photography room, and the Studio Theatre which is used for student productions and concerts as well as practical training. The school also manages the large, historic St Georges Hall adjacent to it, which is used for larger productions. NHSPA is a selective school and enrolment for a majority of students includes an audition in one or more skills in dance, music, drama, or creative arts. Local students receive priority for enrolment, however talented students from outside the catchment may also apply and audition. The school has a rich, creative environment and is an incubator for talent. Students are encouraged to both explore their individual expression as well as work collaboratively. Students from all disciplines work jointly - just like in the rea l world - to produce a larger work, for instance, a stage production. NHSPA Graduates Many of the school’s graduates have gone on to be successful and well-known in industries such as music, fashion, film, stage, photography, art, and writing. In the December, 2016, a group of lucky students were given the surprise of their lives and the school garnered massive kudos when they received a visit from non-other than Justin Timberlake. The mega-star was in town to promote Trolls, and popped into a class to critique some student performances - and he was very impressed with what he saw and heard. There’s a video of his visit on YouTube: www.youtube.com/watch?v=WfYaXc2UbP8 (or search Newtown High School of the Performing Arts masterclass with Justin Timberlake). www.facebook.com/newtownhspa/

“The love of an animal is transformative. Animals teach us to be patient and compassionate; it is our responsibility to ensure they live healthy and happy lives.” The Pet Connection One thing that has made confinement to our homes a little easier is having a pet (or several) around. While it’s hard to get work done when the cat insists on sitting on your keyboard or the dog looks at you expectedly after every movement thinking it’s going for yet another walk, there’s no doubt that our fur/feather/scale babies fill the void of lengthy days at home better than any streaming binge can. Pets are a unique all-in-one package: they give you complete attention, provide COVID-free cuddles, entertain you, urge you to exercise, and encourage you to relax. Whether it’s a dog, cat, fish, bird, horse, lizard, rabbit, turtle, giant stick-insect, or anything else that can safely live with humans, a pet can be beneficial in so many ways. Pets keep us grounded. They require routine and diligence - which makes them great for training kids! It’s been proven time and again that keeping a pet can improve mental and even physical health. Animals can bring people together and deliver joy just by being themselves -even if when belong to someone else. “One of our greatest joys is seeing a family welcome a pet into their home. We especially love sharing the journey as they return for advice, products, and a chat.” That’s how the staff feel at The Pet Connection. The family owned business has been in St Ives for 25 years and they never tire of introducing a non-human member to its new family. Their love and knowledge extends to dogs, cats, fish, birds, rabbits, reptiles and they’d be happy to arrange an introduction to any or all of the above. “We encourage responsible pet ownership, and ensure people are ready for the commitment a pet requires. We know how important it is to ensure our animals go to loving homes and remain there for life.” thepetconnection.com.au. (02) 9988 0038

Explore Mosman’s Best Running Groups for Every Pace More on Mosman From sunrise sessions by the beach to family-friendly 5 km runs, Mosman’s run clubs and running groups bring together locals of all ages and abilities. Here are some of the best ways to get moving. With its sparkling harbour views, leafy streets, and beachside pathways, Mosman is one of Sydney’s most scenic spots to lace up your runners. But it’s not just about the views - it’s also about the people. Mosman has a strong community-led running culture, offering everything from relaxed social jogs to structured athletic training. Whether you’re new to running, training for an event, or just keen to meet neighbours who love to stay active, there’s a group here for you. Mosman parkrun – Spit West Reserve One of the most popular entry points into community running, Mosman parkrun is a free weekly 5 km event held every Saturday at 7:00 AM at Spit West Reserve. The course is timed (so you can track your progress) but the vibe is refreshingly low-pressure, with runners, walkers, families, and even prams welcome. It’s the perfect way to kick off your weekend with some movement, fresh air, and friendly faces. You’ll need to register online before your first run, but after that, it’s free every week. Every Saturday, 7:00 AM Free, registration required Pace Athletic Mosman Run Club If you’re after a sociable mid-week boost, the Pace Athletic Run Club has you covered. Meeting every Friday morning at 6:30 AM from their store on Military Road, the group covers a relaxed 5–9 km loop through Mosman’s stunning harbourfront. The runs are fun, inclusive, and designed for all abilities, making them a great option for those who want to explore local routes with a supportive crew. Plus, being store-hosted, it’s a handy spot to connect with like-minded runners and maybe pick up some new gear along the way. Fridays at 6:30 AM Free to join Balmoral Run Club For early birds, Balmoral Run Club delivers. Meeting every Wednesday at 5:00 AM outside Bathers Pavilion, this grassroots group takes on a short 2 km loop — perfect for a quick, consistent start to the day. The atmosphere is friendly and informal, and many runners cool off with a swim at Balmoral Beach or grab a coffee afterwards. It’s the ideal mix of fitness and socialising, set against one of Sydney’s most beautiful backdrops. Every Wednesday, 5:00 AM Free to join Mosman Athletics (Senior Coaching) For those looking for more structure, Mosman Athletics offers coached sessions at Balmoral Oval. Led by experienced trainers, the program includes sprint and middle-distance training on Thursday evenings, plus longer runs on Sunday mornings. These sessions are perfect if you’re aiming to build speed, stamina, or prepare for a race. The vibe is serious about training but still welcoming, and you’ll benefit from expert guidance in a supportive group setting. Thursdays, 6:30–7:30 PM (sprints & middle-distance) Sundays, 9:00 AM (long runs) $25 per session

Byfreer Mosman, where style, craftsmanship, high fashion and sustainability combine. More on Mosman Nestled in the heart of Mosman’s stylish shopping strip, byfreer is more than just a boutique — it’s a destination where fashion, craftsmanship, and sustainability converge. Founded by award-winning designer Lesley Watson and her husband Andrew Mussett, byfreer embodies the philosophy that clothing should not only look beautiful but also be created with purpose and care for the planet. A Designer with Purpose Step inside the Mosman boutique and you’ll see the vision of Lesley Watson, whose lifelong passion for fashion is matched by her commitment to ethical and sustainable design. With decades of experience in patternmaking, textile design, manufacturing, and luxury retail buying, Lesley brings unparalleled expertise to every aspect of her label. Founded in Sydney in 2014 and named after her mother’s maiden name, byfreer was born from a desire to create clothing that serves a purpose, solves problems, and stands the test of time. Following the success of the Potts Point and Paddington stores, Lesley and Andrew opened the Mosman location in April this year, drawn by the area’s village atmosphere, loyal clientele, and the success of a previous pop-up event. Sustainability at the Core Sustainability is the foundation of this label, not an afterthought. Growing up in Adelaide, Lesley was immersed in an environment that valued both creativity and respect for the planet. Early lessons in solar power, recycling, and conscious living remain central to byfreer’s philosophy and are woven into every garment. Beyond her boutiques, Lesley has presented at the World Hope Forum, offering insights on sustainable fashion to an international audience, sharing her commitment to responsible design well beyond Sydney’s borders. Cultivating the Next Generation Education and mentorship are integral to byfreer’s mission. In partnership with the University of NSW Faculty of Art, Design and Architecture, the Paddington Atelier hosts interns through the Work Integrated Learning program, giving students hands-on experience in sustainable design, production, and ethical business practices. With the store preparing to welcome its second intern, Lesley continues to foster the next generation of designers committed to conscious fashion. A Store That Reflects Its Values Byfreer is more than a boutique - it’s a living reflection of Lesley’s ethos. Each collection is carefully curated to showcase timeless design, quality craftsmanship, and fabrics that celebrate luxury and sustainability. Silks, linens, and velvets are chosen for their tactile richness, practicality, and durability, with each piece undergoing meticulous processes to ensure it can be easily cared for at home. Designed in the Paddington atelier and produced locally, byfreer’s Australian made range are officially licensed under the Australian Made logo, reinforcing the brand’s commitment to ethical, Australian production. For locals and visitors alike, byfreer in Mosman is a space where fashion meets integrity. Each garment carries a story of responsibility, creativity, and respect for the planet, proving that style and sustainability can coexist beautifully. byfreer. Mosman 870 Military Road, Mosmanbyfreer.com

How the Australian street artist Fintan Magee turned teenage graffiti into internationally commissioned street art. More on Marrickville For Fintan Magee, painting was never a sudden career decision. It developed naturally from an early love of creativity. “I started out as a graffiti writer when I was about 13 or 14,” Magee says. “I’ve been painting ever since.” Raised in a creative household, he was, admittedly, fortunate to be encouraged very early on. His father worked as a sculptor and his mother as a landscape architect, so making and designing were part of daily life. That environment gave him the confidence to pursue art seriously, even in the early days of graffiti. Over time, spray cans on suburban walls evolved into large public murals, gallery exhibitions, and international projects. While his work has grown in size and ambition, Magee says his approach has remained consistent. He focuses on capturing everyday life and human faces, turning ordinary moments into striking visual experiences. Inspiration When asked what inspires him, he admits it can be hard to explain. “It’s usually people I meet. I try to absorb as much of the world around me as possible and just paint what I see,” he says. “I know that’s a boring answer that most artists give, but it’s kind of all I’ve got.” His response is deceptively simple as he’s able to capture the essence of his subjects at scale as though he was working on an easel at home, quite the logistical task. “It’s always different,” Magee says of choosing subjects. “Often I just paint my friends and people close to me.” The faces that appear in his work often belong to people he knows personally, capturing a wonderful dichotomy of intimacy and public life. That personal connection is part of what makes his work feel approachable, even when it’s displayed on a large public wall. Significant works One of his most significant local works was created for Marrickville Metro. The mural highlights women’s roles in the arts and industry, a theme chosen specifically for the site. The building is on a former textile manufacturing plant that employed a lot of women; it was a hub for female participation in the union movement, which led to Newtown having the first female Mayor in Australia, Lilian Fowler. “I found that history really interesting,” Magee says. “I wanted to explore how that connected to creative industries in a modern context.” By linking the area’s industrial past with its contemporary arts scene, the mural recognises the women who helped shape the community while reflecting its ongoing creative spirit. The mural combines historical awareness with a modern celebration of local creativity, making it a work that resonates with both residents and visitors. Taking art global Travel has become an important aspect of Magee’s career. While exhibitions are important, he says the opportunity to work in new environments stands out most. One highlight was travelling to Iran to work on a major project for the Australian embassy alongside muralist Guido Van Helten. The project was a large-scale mural commissioned by the embassy. The collaboration allowed both artists to contribute to a high-profile international project and experience working in a very different cultural context. “That was exciting,” he says. “I’ve been lucky to travel a lot for my work. It’s rewarding when you visit somewhere new.” Future Looking ahead, Magee is preparing for a show at Backwoods Gallery in Melbourne later this year. He also has several mural projects lined up, including his first time working in Romania and additional locations across Europe. These opportunities allow him to continue expanding his work. From graffiti writer to globally recognised muralist, Fintan Magee’s career has unfolded steadily, shaped by curiosity, community, and a commitment to capturing the world around him.

Remembering Randwick Rugby Club’s Quiet hero and beloved community figure, Peter "Marzo" Meagher. More on Randwick December 14, 2025 was a warm, clear day. It was also the first day of the Jewish festival of Hanukkah. The combination of great weather and a special family event celebrating Hanukkah meant that Bondi Beach was particularly busy that balmy Sunday afternoon. Peter Meagher, affectionately known as “Marzo”, was at Bondi that day, working as a photographer. Neither he nor the 14 other victims of two senseless gunmen could possibly have imagined it would be their last day on Earth. Meagher was well known and loved in Randwick. He devoted much of his life to community rugby. From 2018, he served as First Grade Team Manager. It suited him perfectly. Organised, dependable, and deeply respected, he became an essential link between players, coaches, and the broader club network. Whether it was managing logistics, supporting players, or simply being a reassuring presence on game day, Meagher did it all without fuss or fanfare. Long before that, he had earned respect across Sydney as a rugby referee—firm, fair, and deeply knowledgeable. His understanding of the game was matched by a genuine love for it, something that resonated with everyone he encountered on and off the field. Rugby, for Meagher, was also part of a powerful family legacy. He was the grandson of Wally Meagher, a Wallabies great, and the son of Ron Meagher, a former Randwick president. Yet, despite this lineage, Marzo was unassuming and down to earth. Those who knew him best often spoke of his humility—his preference to contribute quietly rather than seek recognition. That said, recognition did come. In 2020, Randwick Rugby honoured him as Volunteer of the Year, a reflection of decades of tireless service. It was a fitting tribute, though one that only scratched the surface of his impact. Peter Meagher away from Rugby Away from rugby, Meagher built an equally distinguished career in the New South Wales Police Force, serving for nearly 40 years and retiring as a Detective Sergeant. Known for his professionalism and integrity, he carried the same values from his policing career into his sporting life—discipline, loyalty, and a strong sense of community. In retirement, he found a new passion behind the lens, working as a freelance photographer at local events. It was another way for him to stay connected, to document moments and people—much like he had done at Randwick for so many years, albeit in a different form. His sudden death in December 2025, aged only 61, sent shockwaves through the rugby community and beyond. Tributes flowed, each echoing a common sentiment: Meagher was the “heart and soul” of Randwick Rugby. Not because of any single achievement, but because of the countless small, unseen contributions that defined his life. Peter “Marzo” Meagher was a rare individual, a quiet hero who made a difference in this world just by being who he was. He will be remembered for his dedication, generosity of spirit, and the everlasting light he leaves behind. Vale Peter Marzo Meagher. 18 January 1964 - 14 December 2025

We meet incredible talent, and St Ives Local, Luke Vadekar. A young man with his head in the clouds. The stunning photo on our cover is of The Milky Way. It was taken by young photographer/astronomer and St Ives prodigy, Luke Vadekar. Locals will often spot Luke standing patiently beside his tripod, telescopic lens pointed up towards a dark clear sky or out across a serene landscape. The results are devastatingly beautiful images of shimmering galaxies or liquid-glass waterways. The 17-year has been a keen photographer from an early age. “I first became interested in photography in early primary school using a small digital camera and phone. I was taking photos of nature like trees, flowers, insects and birds. I also took photos of the sky, like rainbows, clouds, sunsets,” says Luke. Mostly self-taught, Luke hones his craft by watching tutorial videos and studying other people’s photographs to help him get ideas on how to compose his next shot. However, as his commitment grows more serious, he is seeking to formalise his training. “Just this year I registered into an online photography course that will help me achieve a diploma in photography so that I can pursue a career in this field…I would love to pursue a profession relating to my passion in photography and astronomy. As you can imagine, photography equipment can be very expensive. I definitely need to find a way to make a living out of my passion.” To that end, Luke is seeking opportunities to earn money now from his photography and is extending his skillset to include events, portraits, and real estate photography. The skies, however, remain his first love, and with that comes the need for specialised equipment. “To start off, I need an equatorial mount which follows the rotation of the earth in order to keep the stars from drifting in the photo. I’ve also got a telescope that my camera can be attached to and take photos of celestial objects that can be magnified by the telescope,” explains Luke. “My main setup is a solid tripod and a mirrorless camera, for which I have multiple lenses.” Like any good artist, Luke can still work magic with much more basic equipment and he has taken some incredible images using his phone. “My mobile phone is a Huawei Mate 20 Pro and runs on Android. I use the built in camera. I don’t use anything else to capture photos using my mobile phone other than a tripod.” Ultimately, though, it’s not expensive equipment and high tech gadgetry that make a good photographer - it’s commitment; and there’s no doubt Luke has plenty of that. “It does take a lot of time, practice, persistence, patience, and dedication to keep improving my work. I spend a lot of time going out to places where I can compose a photo that I have had in mind. While I do day time photos, I am very passionate about night photography because it challenges me to use various photography techniques such as long exposures, changing camera settings.” And that’s just the time out in the field. Luke then has to follow it up in the digital lab. “I spend a lot of time on post production using Adobe Lightroom and occasionally Adobe Photoshop. I also use specialised apps for image stacking of my astro photos.” It’s not all work and no play, though. “I occasionally go to the skate park to get some exercise on my scooter and also see some of my friends.” You can see more of Luke’s work on Instagram @qualitypicsfromteeno and on his website https://lukevadekar.com

Linla, a new Taiwanese social-dining bar, has swung open its doors in 413 Bourke St, Surry Hills. Housed in the former home of much-loved neighbourhood bar Dead Ringer, Linla is built around a simple ritual: raising a glass together. In Taiwanese dialect, “Linla” captures the sound and feeling shared between friends when they toast – a moment of celebration, presence and connection that shapes the spirit of the venue. Blending Taiwanese hospitality with pan-Asian social dining, dishes on the menu include Night-Market Crispy Chicken, served to your table with a paper bag & spices so you can mix up your own level of flavour; Pork and Prawn Wontons in a deliciously creamy tom yum beurre blanc, XOXO Calamari Fettuccine with XO sauce; and Sticky Rice Arancini with Taiwanese sausage and house made salted radish. Playful desserts include a fun take on the nostalgic Aussie classic fairy bread, with a Fairy Bread Bao stuffed full of vanilla ice cream. House cocktails are designed for easy drinking while maintaining technical depth and layered flavour, and include MI-Bubble, a playful reimagining of bubble tea through a cocktail lens. Behind the concept is Taiwanese-born, Sydney-based restaurateur and mixologist Charles Chang, founder of neighbouring Japanese fusion venue Moku and a former Top 100 finalist in the Diageo World Class Competition. Moku chef Ha Chuen Wai will also bring his highly regarded omakase experience to 413 Bourke Street, finding a new permanent home in the private dining room adjacent to Linla. Here, Wai’s acclaimed “I leave it up to you” dining journey invites guests to place their trust in the chef, with an intimate, multi-course tasting menu built around the freshest seasonal ingredients. Linla 413 Bourke St, Surry Hills linla.com.au