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Lady Gaga turns Accor Stadium into a queer wonderland. By Aaron Little Sydney didn’t just host a concert— it hosted a full-scale gay awakening as Lady Gaga stormed Accor Stadium and reminded us exactly why she remains pop’s ultimate queer icon. It was loud, theatrical, sweaty in the best possible way, and dripping in the kind of unapologetic energy that only Mother Monster can deliver. From the first note, the stadium was hers. Gaga moved effortlessly between high- camp spect

Nel Restaurant’s indulgent new menu - The Story of Christmas  - is here to kick off the merriest season of them all. Acclaimed Chef Nelly Robinson’s ambitions know no bounds. From experimental chef’s table evenings alongside a rotating lineup of guest chefs to flying abroad to curate exclusive dinners at some of the world’s most prestigious venues, he’s constantly pushing the boundaries of creativity. And on top of all this, Nelly still manages to unveil a brand-new seasonal

Experience the Just For Laughs All Star Gala, a high-energy night at the Sydney Opera House featuring Shaun Micallef, top international acts and Australia’s best homegrown comedians.

Intimate yet spectacular, La Ronde Is brimming with talent and charisma By Rita Bratovich Scott Maidment and the Strut & Fret team have curated a beautiful selection of theatrical sweets and presented them as delicacies on a plate that is La Ronde . This production feels more intimate and pure in the way it allows the performers to be the central focus.  The La Ronde performers have enough personality to fill the spacious theatre tenfold. Expertise, sexiness, humour, and char

Three masters come together for Sydney Dance Company’s stunning new triple bill, Continuum . Continuum  is the perfect title for this trio of works. Rafael Bonachela’s Spell , Tra Mi Dinh’s Somewhere between ten and fourteen, and Stephen Page’s Unungkati Yantatja – one with the other , are each completely distinct pieces, yet there is a flow and feeling of connection between them.  First, Spell, which opens auspiciously with a solo dancer and no music. The sole figure moves o