Restyle your space, reimagine your story, with Restyle Haven. At Restyle Haven, “restyle” is more than a design service, it's a considered philosophy. Her practice centres on the idea of working with materials that already exists. Viewing them through a different lens and breathing new life Into objects that may have once been discarded. At the centre of Restyle Haven Is founder, Prerna Sorayan. Her professional journey has spanned Singapore, India, and the USA and was Inspired to start Restyle Haven after observing the huge amount of wastefulness In furniture and homewares space. Over her career, she often saw functional, well-made pieces of furniture being discarded and replaced, Instead of re-used and reimagined in a sustainable manor. Then, Restyle Haven was born. Restyle Haven emerged from that awareness. Instead of stripping a property back and starting anew, the process begins with what you already have in place. Existing furnishings are rearranged, layered, and given new life. Attention is given to flow, proportion, texture, and colour, often revealing potential that had previously gone unnoticed. The emphasis is on extending the life of materials and reducing unnecessary consumption. The studio undertakes single-room and multi-room restyling across a range of contexts, from compact apartments to expansive family residences. Private homes, Airbnb and short-stay properties, investment residences, newly completed developments, and homes preparing for sale all form part of its portfolio. In each case, the intention remains consistent: to enhance warmth and function without indulging in excessive new purchases. When additional elements are required, they are introduced with care. Salvaged wood, recycled glass, ceramics, clay, jute, linen, and other biodegradable or organic materials are prioritised. Artisans and durable craftsmanship are favoured, supporting both environmental responsibility and long-term value. Pre-loved décor frequently forms the foundation of these transformations, resulting in low-waste, cost-conscious updates designed for longevity rather than short-term effect. At its core, Restyle Haven reflects a shift in mindset. By reconsidering what already exists, a space can evolve meaningfully while still honouring the story it carries. And that story matters more than we sometimes realise. A home is not a showroom; it’s a collection of lived moments. The dining table where birthdays were celebrated. The armchair that’s travelled across cities. The slightly imperfect vase picked up on holiday. Restyling is about drawing those pieces together in a way that feels intentional and fresh, without erasing the character that makes a space personal. Often, the transformation is surprisingly simple. A rug repositioned to anchor a room. Artwork rehung at a more thoughtful height. A forgotten sideboard moved from a hallway into a living space where it can truly shine. Cushions are swapped between rooms, lighting is softened, and negative space is embraced rather than filled. These subtle adjustments create clarity and cohesion, proving that impact doesn’t always require expenditure. Clients frequently describe the experience as seeing their home for the first time again. There’s a quiet confidence in knowing that the beauty was already there, waiting to be uncovered. Restyle Haven doesn’t chase trends; it refines what feels authentic. The result is a home that functions better, feels lighter, and reflects the people within it more truthfully. Because sometimes, the most sustainable choice isn’t buying something new. It’s learning to see differently. Are you considering re-designer your interior spaces? Reach out to Prerna at Restyle Haven: prerna@restylehaven.com info@restylehaven.com

The 2026 Randwick Community Service Awards celebrate the locals going above and beyond for the Randwick community Presented by Randwick City Council, the annual Randwick Community Service Awards celebrate a remarkable cohort of individuals and groups whose efforts strengthen the wellbeing, inclusivity, and resilience of the Randwick community. The 2026 Awards, held on 26 January, recognised seven recipients whose service ranged from lifesaving bravery to long‑term dedication to addressing social needs. Among those recognised were a father and daughter whose courageous actions in dangerous surf conditions at Coogee Beach directly contributed to saving a life. Their valiant efforts earned them a special Mayor’s Award for Bravery. As Mayor Dylan Parker observed, this year’s awards highlight the countless ways local residents and organisations give back to the Randwick community: “Whether it’s saving lives, donating clothing or food to people in need, or helping to connect people through the power of sport, these recipients are local legends who have gone above and beyond to improve the lives of others and our City.” We congratulate this year’s award winners for their outstanding achievements: South Maroubra Surf Life Saving Club (Group Category) South Maroubra Surf Life Saving Club upholds and promotes the values of Australia in volunteerism. The club’s dedicated volunteers provide services that greatly improve the wellbeing of the Randwick community, including beach and water safety, aquatic safety education and an inclusive, welcoming social environment for people of all ages. Eden Cass-Pereira (Youth Award) Eden, 17, has volunteered with The Shack Youth Services for over five years. Eden has now progressed to a leadership role within the organisation, where she ensures newcomers to The Shack’s programs feel welcomed, supported and included. Eden can regularly be found raising awareness about The Shack’s services and organising community events. The Shack describes Eden as a trusted representative who consistently upholds and embodies its values. Jonah Glover (Achievement Award for Person with Disability) Each week, Jonah collects meals and care packs from Kids Giving Back and personally delivers them to The Hub@Lexo for those in need. Through his consistent efforts, Jonah has become an essential link in the local food security chain, demonstrating compassion, perseverance, and community spirit. Keith Donnelly (Individual Award) Keith Donnelly is the founder and director of Keith’s Closet, a not‑for‑profit providing free clothing, toiletries and essentials to anyone accessing mental health services in Randwick City. Through community clothing drives and pop‑up distribution events, Keith’s Closet not only promotes dignity and inclusion, but also sustainability by repurposing quality donated items. Beyond practical support, the organisation fosters connections, raises awareness of mental health challenges, and offers a welcoming environment for people in need to feel respected and seen. Richard Baldwin (Mayor’s Award) Over the past 15 years Richard has fostered the growth of Randwick City Football Club from zero to more than 200 active playing members. This development has included the establishment of women’s and junior teams, as well as the formation of a team for players with disability. Richard’s initiative to integrate this team into all-age men’s football has been particularly impactful, enriching the experience of all participants while significantly increasing awareness, inclusion, and support for players with disability. Anthony and Sophia Hartcher (Mayor’s Award – Special Recognition of Bravery) Father and daughter, Anthony and Sophia Hartcher, demonstrated exceptional courage on the 1st of January 2026 when they responded immediately to two men in distress near the Coogee Surf Life Saving Club. Entering extremely dangerous conditions, Anthony used a boogie board as a flotation device while he and Sophia worked together to provide assistance. Their selfless actions directly contributed to saving a life. Through their bravery, and willingness to act without hesitation, Anthony and Sophia exemplify responsibility, compassion, and the strength of community in the face of adversity.

SASHABOO Kidswear is the Australian Brand Turning Everyday Dressing Into Creative Play More on Randwick For many families, it’s a familiar scene — a wardrobe full of clothes, toys scattered across the floor, and yet the same quiet refrain: “I’m bored.” It’s this everyday moment that sparked the idea behind SASHABOO, an Australian kidswear brand created by local mum and creative, Tatiana Burkett. Rather than adding to the noise of more toys or more clothing, SASHABOO explores a simple question: what if getting dressed could become part of play? Where Play Meets Everyday Dressing At the centre of the concept is the TeeBoo™ — an oversized T-shirt that, at first glance, feels understated. Look closer, and it’s designed with soft attachment areas that allow children to add and rearrange BooPatch™ pieces, transforming what they wear into something interactive. What begins as getting dressed often shifts into imaginative play, with children building characters, stories and their own small worlds. There are no instructions or set outcomes. The design encourages open-ended creativity, allowing children to engage at their own pace. In the process, they naturally begin to explore letters, numbers and storytelling — not as structured learning, but as part of play that feels intuitive and self-directed. Designed for Real Life For parents, the appeal lies in how seamlessly it fits into daily routines. Whether at home, in the car or out at a café, the TeeBoo™ offers a screen-free way to keep children engaged, often turning otherwise restless moments into something calmer and more manageable. The timing feels particularly relevant as school holidays approach, when routines shift and families look for simple ways to keep children occupied. Lightweight and easy to pack, the TeeBoo™ lends itself to travel, outings and quiet time between activities. There’s also a considered approach to how the garments are made. Crafted from premium organic cotton, each piece is designed to be soft, breathable and durable enough for everyday wear. The oversized fit allows it to move with children as they grow, positioning it as something longer-lasting rather than quickly outgrown. A Local Idea, Grounded in Experience Each TeeBoo™ arrives in a reusable box with a BooPatch™ included, while additional sets come in cotton storage bags - a practical detail for keeping pieces together at home or on the go. For founder Tatiana Burkett, the idea is rooted in lived experience. “It’s about connection,” she says. “I created SASHABOO because I was living that exact moment - so many things around, but nothing that truly kept their attention.” In the end, SASHABOO doesn’t try to reinvent children’s clothing entirely. Instead, it reframes it - turning something ordinary into a quiet opportunity for creativity, connection and play, woven into the rhythm of everyday life. SASHABOO Sashaboo.com Hello@sashaboo.com Instagram: @sashaboo.kids

Reddam Early Learning Lindfield partners with speech experts to empower young confident communicators. Tucked into the leafy surrounds of Sydney’s North Shore, Reddam Early Learning School Lindfield is quietly redefining what early childhood education can look like. Known for its child-centred approach and strong academic foundations, the school places a particular emphasis on one of life’s most essential skills: communication. For young children, learning to communicate effectively is about far more than words. It underpins confidence, social connection, and a child’s ability to engage meaningfully with the world around them. As Principal Lara Wilson explains, “Strong communication skills are foundational for children as they grow and learn. Effective communication skills support children to express their needs and build friendships with peers.” This philosophy comes to life through the school’s close partnership with North Shore Speech Therapy. Unlike many early learning environments, Reddam ELS Lindfield integrates speech therapy directly into the school day, with therapists working onsite to provide targeted support in a familiar, supportive setting. This approach ensures children’s communication development is nurtured consistently, both in the classroom and through specialised intervention when needed. This commitment to developing confident communicators has inspired an upcoming community event designed to support families as well as students. On Tuesday 12 May, the school will host a complimentary, child-free workshop titled How to Create Confident Communicators, led by Lauren Reinhardt, founder of North Shore Speech Therapy. Held at the Lindfield campus on Treatts Road, the session will provide practical, expert guidance for parents navigating their child’s communication development. The workshop will explore the communication skills children need for success in school, how these skills are fostered within early learning environments, and the vital role parents play at home. Parents will also gain clarity around what is developmentally typical in the early years, when to take a “watch and wait” approach, and when additional support may be helpful. It will also address considerations for children growing up in multilingual households and outline clear steps for families who may have concerns about their child’s speech or language development. Importantly, the session is designed to be accessible and empowering. “The upcoming workshop will provide parents with practical strategies and insights to support their child’s speech and language development,” Wilson notes. “It aims to empower families with simple, everyday techniques that can make a meaningful difference in their child’s communication journey.” The focus is on practical strategies that fit naturally into daily routines, helping parents feel confident rather than overwhelmed. Beyond the classroom, this event reflects Reddam ELS Lindfield’s broader commitment to community. By opening its doors to both current families and the wider neighbourhood, the school continues to foster meaningful connections and provide valuable resources to support children’s development at every stage.“The ability to communicate with those around us shapes how we experience the world,” Wilson adds. “Supporting children to communicate with confidence opens the door to endless opportunities.” For families who would like further guidance beyond the workshop, North Shore Speech Therapy continues to support children through individualised assessment, therapy, and close collaboration with schools across the North Shore. For families seeking both insight and inspiration, this workshop offers a valuable opportunity to learn from experts, connect with others, and take practical steps toward raising confident, capable communicators. Visit for more Information: www.els.reddamhouse.com.au www.speechtherapy.com.au

From Convicts to Chaos, Matt Murphy Explores 237 Strange Stories Behind Australia Day By ALEC SMART Matt Murphy is a firefighter, teacher, historian, soccer player and author (although not necessarily in that order). He is renowned for writing witty, somewhat irreverent history books on colonial-era Australia that highlight absurd events and characters, and he has a new book out: Straya Day. Based in Sydney, Murphy has authored four books, the latter three - Rum: A Distilled History of Colonial Australia (2021), Gold (2025), and Straya Day (2026) - published by the distinguished Harper Collins (the world’s second-largest consumer book publisher) plus his debut, Weight of Evidence (2013) He is no relation to fellow author and ABC (i.e. American Broadcasting Company) legal analyst Matt Murphy, who happens to share the same name. Nor did he sing for a band called The Wombats. He’s also a contributor to Neighbourhood Media community magazines – you’ll find some of his articles here, here and here. According to his online bio: “At school, Matt Murphy failed English and couldn't see the point of history. He became a firie and has been serving in Sydney's inner city for 33 years. He is now also a part-time historian and teacher, tolerating the attitudes of kids towards history that he used to share… “Matt's younger self would be aghast that he is now writing history books but be consoled by the absurdist voice old Matt has achieved. Matt also can't believe he has to write his own bio.” Straya Day is described as “the unofficial history of Australia's national day since the first contentious one, thereby offering 237 other reasons for a day off.” Why 237? Well, it’s 237 years since British colonists arrived on 18-20 January 1788 to establish their penal colony on the east coast of the unexplored land mass known as both New South Wales (east side) and New Holland (west side). They anchored in Botany Bay, an unsuitable cove recommended by Captain Cook when he visited 18 years earlier. In fact, Botany Bay was so unsuitable, with limited shelter and just a trickle of fresh water, that the 1400 immigrants in 11 vessels – including nine transporting 750+ prisoners, three carrying provisions, and two small Royal Navy battleships packed with 250 armed Marines – relocated north to Port Jackson. They raised the British Union Jack flag on 26 January 1788 in Sydney Cove – which was why that date was eventually chosen, 147 years later, as the official National Day of Australia, aka ‘Straya Day’, in 1935. Previously, Queensland celebrated it on 6 June; Tasmania celebrated it on Regatta Day (1 Dec from 1838-78, then from 1879 a Monday in Jan or Feb); Western Australia on the first Monday in June; and South Australia on 22 Jan (until 1910 when they moved the date to the 26 Jan). In 1915, an official committee endorsed 30 July, and it was celebrated on that date in NSW and Victoria, although Victoria embraced 26 Jan in 1931. Enough waffling, let’s interrogate Mr Murphy… How/why did you become a history writer? By accident! I was doing a Uni degree and was writing an essay on laws relating to convicts and the problems they caused. Living in Newtown, I had heard of the Newtown Ejectment Case (which focuses on a court case centred on a convict who sold land, despite not being allowed to own any in the first place) and intended to use it in my essay. I presumed that there must be a book about it somewhere but that wasn’t the case. I finished my essay, and degree, and revisited the story later involving lots of trips to the archives, etc. I enjoyed the process but didn't know I'd written a book until I had, if you know what I mean. After that I had people telling me that I write well and asking what I was going to write next. You utilise a lot of humour in your writing. I assume this attracts a readership that enjoys a chuckle with their facts? Yeah, people say that, but really I just write about humorous stuff, and colonial Australia provides lots of material! I have always maintained that apart from Aboriginal stuff, colonial Australian history is full of odd-balls and ridiculous situations. As for the second part of your question, factual accuracy is important to me; again, our history is so crazy it doesn’t need to be embellished. And yes, I hope people might learn something along the way. It is a frustration of mine that so few Aussies know much about our own history. It’s not their fault; it’s some cultural cringe; people just think our history is dull and unimportant. I remember talking to someone recently and they asked what kind of history I write and when I said colonial Australian they replied: 'What, you mean like convict and bushrangers and shit?' To which I replied: 'Yes, convicts and bushrangers and shit!' I am happy to say my books have been well received, with many people saying things like 'I never knew all that happened'. Weight of Evidence, about the longest-ever civil court case in New South Wales history, is an unusual topic from which to launch a writing career. Why is it this particular case caught your attention? It is an incredible tale and I feel very fortunate that it fell in my lap, though also surprised that no one had researched and written about it before. Many of my friends and family say it is still the best book I have done, and everyone says it should be a movie. It’s easy to see how examining the Rum Rebellion, and rum’s pervasive and often pernicious influence on the colonial era, is fascinating. But what inspired you to expose the self-proclaimed discoverer of gold, Edward Hargraves, as a charlatan? It seems like a potentially dry topic and, I imagine, difficult to research. Gold was initially sort of intended to be a sequel to Rum. Just as Rum is about how the drink influenced things in Australia, so too did the discovery of gold. But I got stuck on the first chapter; there is so much controversy about who the discoverer was that it proved far more interesting. It wasn’t that difficult to research, as when he got his fame and fortune there were many people writing to the paper or even publishing their own books about how they discovered it first. And Hargraves was such a buffoon that everywhere he went he made an arse of himself, and he went everywhere! So, the latest, Straya Day - what inspired you to write it and the angle you took – about there being 237 reasons apart from a nod to British sovereignty over Terra Australis to enjoy a public holiday? It’s sort of true that this book was an accident as well. I have for many years known that the Rum Rebellion occurred on 26 January (and have often said 'Happy Rum Rebellion Day' to people to avoid the Australia Day controversy) but then in other research I was doing I found some other important incidents that happened on 26 January: the Waterloo Creek Massacre (1838), the disappearance of the Beaumont children (1966), the Citizenship Act and the consequent issuing of Australian instead of British passports to Aussie citizens (1949), the Day of Mourning (1938), the establishment of the Tent Embassy (1972). I then wondered whether I could find something for every 26 January! It was a great research project, and different to my other books because rather than seeking an answer, I didn't know what I was seeking ‘till I found it! Though not all the stories are good fun, it was a lot of fun to put together. Have you thought about writing historical fiction, and if so would you choose the colonial era – such as Kate Grenville’s Secret River or the generational tales by Judy Nunn, or more recent history, such as the Razor gangs and Surry Hills’ slums covered in Ruth Park’s Harp In The South? Not really. I have started a teen novel, just for a bit of fun. I have a great idea in my head but getting it on the page is difficult. Writing fiction and non-fiction are two different beasts. To me the only commonality is the use of punctuation and the use of a keyboard. Are you writing a fifth book at present, and might we know the theme? Yes, and it’s a biggie. But I want to keep my cards close to my chest with regards to it as I am not sure if I will pull it off. I will do it, but whether a publisher takes it on is another matter.

From sci-fi to smartphones; these must see Sydney film festivals ligth up screens right around Sydney every year. More on Newtown Sydney’s film festival scene in 2025-26 is a treasure trove for cinema lovers of all kinds. Whatever you’re into, from ripping international stories to underground indie gems, the city offers a rich lineup that celebrates creativity and storytelling on every scale. From big screens to tiny devices, these festivals showcase fresh voices and daring visions, making Sydney a vibrant hub for film enthusiasts. Sydney Underground Film Festival 📅 September 11–14, 2025 📍 Dendy Cinemas, Newtown 🎥 Independent and experimental films SUFF showcases a bold selection of independent and experimental films that push the boundaries of conventional cinema. The 19th edition features a lineup of provocative narratives, avant-garde documentaries, cult classics and genre-defying shorts from around the world. The festival also includes special events, networking opportunities, and a 48-hour film challenge, fostering a vibrant community of filmmakers and cinephiles. Sydney Science Fiction Film Festival 📅 October 3–5, 2025 📍 Event Cinemas George Street, Sydney 🎥Speculative storytelling Presenting a curated selection of science fiction and fantasy films from independent filmmakers worldwide.  Jewish International Film Festival 📅 October 2025 📍 The Factory Theatre, Marrickville 🎥 Jewish and Israeli-themed cinema Australia's most comprehensive showcase of Jewish-themed cinema, JIFF presents a diverse lineup of feature films, documentaries, and short films from around the world. In addition to film screenings, JIFF hosts special events and discussions, providing audiences with deeper insights into the stories and themes presented. Japanese Film Festival 📅 November-December, 2025 📍 Sydney, Australia 🎥 Japanese cinema Showcasing a diverse selection of films ranging from contemporary dramas and comedies to classic period pieces and anime. The 2025 program includes titles like "Mom, Is That You?!" and "Let’s Go Karaoke!", offering insights into Japanese culture and storytelling. The festival provides a unique opportunity for audiences to experience the depth and diversity of Japan's film industry. SmartFone Flick Fest (SF3) 📅 Feb 19-22, 2026 📍 Sydney Opera House and Chauvel Cinema 🎥 Films shot entirely on smartphones and tablets Lights, camera… phone! The SmartFone Flick Fest (SF3) is Australia’s original and biggest international film festival dedicated entirely to movies made on smartphones and tablets. Now in its 11th year, SF3 proves you don’t need blockbuster budgets or fancy gear — just your phone, a great idea, and a spark of creativity. Entries for the 2026 festival are open now welcoming filmmakers of all ages and skill levels.

The newly opened Medicare Marrickville Urgent Care Clinic offers bulk-billed, walk-in urgent care seven days a week. Marrickville residents now have access to free, walk-in medical care for urgent but non-life-threatening health issues. The Marrickville Urgent Care Clinic is part of a growing national network making it easier for people to get timely care without needing to visit a hospital. Located in the heart of Marrickville, the clinic is open 7 days, from 8am -10pm (including public holidays). No appointments or referrals are required, and all services are fully bulk-billed for patients with a valid Medicare card. These clinics are designed to treat conditions like minor fractures and sprains, cuts and wounds, infections, burns, minor allergic reactions and other common urgent health concerns. It’s staffed by qualified doctors and nurses, and supported by access to diagnostic services like pathology and imaging, allowing many patients to be assessed, treated and discharged in a single visit. Local health providers say the new Medicare Urgent Care Clinic will play an important role in improving access to healthcare across the Inner West, particularly during evenings and weekends when traditional medical services may be limited. It also supports the broader goal of strengthening community-based healthcare and easing pressure on hospital emergency departments. The Marrickville Medicare Urgent Care Clinic joins recent openings in Burwood and Rouse Hill. Reflecting continued investment in accessible, community-focused health services across Sydney and New South Wales. 14 Rich St, Marrickville Open Daily, 8am - 10pm (02) 7258 8589

More on Newtown Sean Walker is a photographer who takes pictures in and around Newtown area. But he has a unique vision – not only does he frame interesting perspectives in black & white, he is colour blind. “Imagine a world without colour, where the setting sun paints the sky in vivid greys, fireworks explode into shards of gleaming white, where an autumnal forest and a pebbled beach share the same stony palette. This is my world. “I am a monochromat, meaning I only see in shades of grey. This is due to a rare genetic condition that deactivates my retinal cone cells, which are responsible for both colour perception and fine central vision. As a result I’m also highly sensitive to glare, and struggle to see detail at long or short distances. Think of a black and white television program, then blur out most of the detail. “When I disclose my colour-blindness to others, their reaction usually combines fascination with a hint of dismay. So much of your sense of beauty seems to derive from the effect of colour! And so, while I’ve always enjoyed it, I’ve always been reluctant to pursue photography as more than a casual hobby. After all, if I happened to ‘get the colours right’ it was always by happy accident. I toyed with black and white photography but hesitated to embrace it. After all, for most people, a monochrome image does not reflect their view of the world. It’s an abstract, a mood piece, a scene with the colour stripped out, a way of reducing a thing to its essence. “Then one day I came across a modern monochrome camera, a beautifully pure monochrome device. Just like my eyes. Finally I could share the world as I saw it and show that black & white is so much more than the absence of colour “My photos range in theme. Some I edit to highlight the stunning beauty of reflection and the purity of light and dark, while others are of objects or places usually synonymous with beautiful colours. I generally gravitate towards dark tones, probably because of my glare sensitivity. It’s easier for me to see in low-light environments, so my eyes are more attuned than ever to finding the beauty in shadow. “I choose subjects that are pleasing to my eye, rather than spend time wondering if an image will look good in black and white. The enjoyment of your own craft must be the start of sharing it with others. “Being confined to the local areas has been fantastic in providing an opportunity to look on our doorstep to find striking beauty, from urban scapes to the incredible vistas of Sydney Park.” Sean Walker E: Link Web: www.monochromatter.com.au Insta: @monochromatter

Casey the performing chimpanzee brings chaos and tragedy to Marrickville streets in 1914. By Matt Murphy In May 1909, an entrepreneur named Ellis Joseph brought a male chimpanzee to Australia. Casey, as the chimp was called, made his first public appearance in Brisbane. Casey knew how to entertain a crowd; he smoked pipes and cigars, played the harmonica and piano, clapped, did somersaults and poked out his tongue. Billed as the ‘man-monkey’ or sometimes referred to as ‘the missing link’, he was a hit wherever he went and the media often reported on his appearances and what tricks he performed. Great excitement was had when he and Joseph caught a taxi in Melbourne in 1910 from which Casey waved to people they passed. By the time of his appearance in Adelaide it was excitedly reported that he had learnt a new trick – eating sago pudding out of a bowl with a spoon. Joseph was asked what he intended to do with Casey after the tour to which he replied he would sell him, but would not accept less than £1000. Joseph also knew, it is believed, that Casey’s time as a performer was limited. Once chimps outlive adolescence they are no longer interested in doing tricks for scraps of food. Worse still they are strong and sometimes violent. In March 1911, Joseph found his buyer, selling him to another fortune seeker, Thomas Fox, while touring New Zealand. Though it quickly became apparent that Casey didn’t like his new owner. The New Zealand press wrote that Casey had ‘given his new proprietor several maulings.’ However, Casey kept performing and entertaining crowds throughout New Zealand, completing the tour with Fox that Joseph had previously organised. But after touring both Australia and New Zealand, nothing much is heard of Thomas Fox or his chimpanzee for almost a year. Casey next reappears in the zoo in Sydney’s Moore Park in early 1913. Fox then took him on a short tour around regional New South Wales, but by this time Casey was not interested in performing. It’s here that Fox made a grave mistake – he took Casey to his home in Meeks Road, Marrickville. The Sydney Morning Herald reported on 7 December 1914: Probably the most exciting incident in the history of Marrickville was witnessed in Meeks Road last night, when the huge performing chimpanzee made his escape into the street and, for a couple of hours, refused to be captured, either by his keeper or two policemen who came hurriedly upon the scene. The adventure, however, had a very sad sequel, resulting in the death of Mrs Russell, who lives in Meeks Road and who apparently dropped dead from fright. Between 7 p.m. and 8 p.m., Casey, a performing chimpanzee well known to the Sydney public, made his escape. The chimpanzee is always kept chained up, but he succeeded last evening in freeing himself from his chain and slipping out through the front gate. Casey is a big animal, standing about five feet in height and weighing about 12 stone, and is an excellent boxer, a fact of which he apprised his keeper, who received a severe injury to the eye, besides several lacerations about the face, while endeavouring to effect a capture. It was not until the arrival of Sergeant Wearin and Constable Toobey, of the Marrickville police, that Casey was taken into custody. Before finally being captured, the chimpanzee charged Sergeant Wearin, catching him by the collar of the coat, and the Sergeant found it necessary to fire two bullets into the beast’s foot before it released its grip. During the excitement, the chimpanzee rushed at a group of women, and it was then that Mrs Russell was seen to fall to the ground. When she was picked up, it was found that she was dead. In trying to capture Casey, Thomas Fox lost an eye. Emily Russell was 42. Her husband, John, took Fox to court, suing him for negligence and demanding £1000. In court, Fox pleaded not guilty and insisted that Casey was a docile creature. The court, especially seeing the state of Fox’s face, disagreed. He was ordered to pay John Russell £450. Not to be outdone, Fox then bought another chimp, a youngster called Bismark, and with his wife and Casey left for America where the animals became part of a circus side show. It was reported that Casey died of appendicitis in 1922.

Sydney’s longest-running community theatre: how New Theatre has shaped Sydney’s stage with bold, political, and community-driven work. More on Netown Sydney’s longest continuously operating theatre has been quietly shaping the city’s cultural landscape for nearly a century. New Theatre might sit under the banner of “community theatre,” but that label doesn’t quite capture what it does. Run largely by women and powered by the passion of volunteers, it’s a space built on politics and the belief that theatre should belong to everyone. At New Theatre, that spirit has been there from the very beginning. The company was founded in 1932 as the Sydney Workers Art Club with the slogan “Art is a Weapon.” From the outset it was about artistic and social expression rather than polish or prestige. Its first full-scale production in 1933 was an adaptation of The Ragged Trousered Philanthropists, setting the tone for a theatre deeply connected to social and political ideas. “Community theatre is sometimes dismissed as a place for ‘hobbyists.’ But ask almost anyone working in the arts how they got their start and, nine times out of ten, a community theatre appears somewhere in that story,” says Maddy Withington of New Theatre’s communications team. These venues are often key in people’s creative journeys, whether they cut their teeth on directing, building a set, discovering their love for performance, or the power of a story coming to life as an audience member. They are vital hubs for nurturing future talent and keeping creativity alive. New Theatre provides a platform for artists at all stages of their careers, with productions that can include scripts often inaccessible to smaller companies due to the cost of rights. It is a space to experiment, fail, learn, and grow, where seasoned performers and first-timers alike share the stage to develop their craft. Artistically, New Theatre has often been ahead of its time. In the 1950s it staged Australia’s first production of The Crucible by Arthur Miller and performed All My Sons before the legendary Paul Robeson. Over the decades, the theatre has mounted more than 550 productions, including politically and socially engaged works, revues for factory and mining communities, and collaborations with local festivals. After moving through several Sydney homes, the company settled in Newtown in 1973, transforming a former picture tube factory into a permanent home for its productions. Its influence is clear in the artists who began their journeys there. Alumni include performers like Maggie Kirkpatrick and Simon Burke, as well as writer Nick Enright. More recent names include director Margaret Thanos, now working with Belvoir and the Sydney Theatre Company, and Damien Ryan of Sport for Jove Theatre Company. Community theatre helps keep the arts embedded in everyday life. It provides first opportunities, supports growth, and creates a space where experimentation and collaboration flourish. Productions give artists access to work they might not otherwise experience, helping to cultivate the next generation of talent. New Theatre runs without ongoing government subsidy, relying instead on the voluntary work of its members and the support of its audiences. As the theatre itself puts it: “We’re not slick, we’re not refined and we don’t conform. We believe in artistic and social expression, not just escapism.” For nearly a century, New Theatre has proven that community, courage, and creativity can transform a stage into a space where artists grow, audiences engage, and the arts thrive year after year. New Theatre 542 King St, NewtownNewtheatre.org.au

More on Glebe By ALEC SMART Artist and musician Chris O’Doherty - better known by his nom de guerre Reg Mombassa – has had a fascinating and fantastical career in art. Most people are familiar with Reg Mombassa as the prolific and successful artist behind many absurdist urban landscapes that have graced posters, album covers, images for Mambo clothing and assorted campaigns. Reg’s iconic artworks are part of Australia’s cultural landscape. In 2007, his Self-Portrait with High Pants was shortlisted for the prestigious Archibald Prize. In 2013 he unveiled a 60-metre-long artwork on the hoardings covering construction work at the Sydney Opera House. Mechangaroo Celebrates New Years Eve. Artwork: Reg Mombassa Band Member - Mental As Anything Mombassa was also a founder member of Sydney rock band Mental As Anything, formed in 1976 by a group of friends at East Sydney Technical College (now the National Art School in Darlinghurst – the former gaol). The O’Doherty brothers Chris (Reg) and Peter wrote or co-wrote some of the Mentals’ more popular songs, including Spirit Got Lost, Berserk Warriors, Brain Brain, Egypt, Apocalypso, Close Again and Nigel. In April 2000, after the O’Doherty brothers left Mental As Anything to focus on their respective artistic careers, they continued writing and performing music together under the name Dog Trumpet. Described as “arguably the loudest soft-rock band in southern NSW” on the band’s promotional T-shirts, the slogan typifies the gentle humour that runs rife through the brothers’ creative repertoire. Waterland IV. Artwork: Reg Mombassa Reg Mombassa's Artist Inspiration Responding to a question on his website on his favourite three artists, Mombassa replied “Bosch, Vincent Van Gogh and Robert Crumb” – which sums up the surreal, humorous, irreverent and sometimes nightmarish scenarios he conjures up from his imagination. With typical droll humour, Mombassa revealed to us that rotting equines feature among the artistic pieces he is currently working on. “I have just done a dozen or so pen and ink drawings of armed koalas, Australian robots, muscle horses and maggot-infested business horses.” Familiar themes in his bold and colourful artwork include trees with eyes, skull-like cars, guitars with legs, kiwi birds, kangaroos and space ships. Sydney Opera House is also a recurring motif. “The Opera House is an interesting subject,” he confirmed, “because it changes shape and colour according to where you view it from and what time of the day or night it is. It is also a useful graphic shorthand for indicating an Australian location. Dog Trumpet and the Mentals have both performed at the Opera House.” Both Dog Trumpet and Mental As Anything have featured Mombassa’s paintings for album covers, but other artists who sought his surreal imagery to illustrate their music include Public Image, Crowded House, Paul Kelly and Mondo Rock. Does he have a personal favourite? “I'm not good at favourites but I quite like the PIL cover and a single cover for Let's Go to Paradise for the Mentals, which led to me working for Mambo.” Reg's favourite music covers: Public Image, Greatest Hits So Far + Let's Go to Paradise. Good Causes Mombassa’s artwork has also been used to illustrate important social and environmental issues, such as Greenpeace, The Wilderness Society and A Just Australia. A cartoon of a skull smoking a cigar was utilised by Save Millers Point for their unsuccessful campaign to prevent Millers Point social housing from being sold to private owners (many of which are now rented out as Air BnB properties). Is there a cause that's particularly close to his heart? “Environmentalism and human rights are both important subjects,” Mombassa revealed. “Unless we solve the climate problem and reign in the cruelty, greed and tribal violence that most of us are capable of, we are doomed to a well-deserved extinction.” Gumscape With Road And Creatures. Artwork: Reg Mombassa Although Mombassa left Mental As Anything in April 2000, and has worked with the other band members in the interim (such as Martin Plaza in The Stetsons) has he played with the Mentals onstage since he left to pursue a painting career 21 years ago? “Yes, Peter and I played at a 25 year anniversary with the Mentals at the Basement in the early 2000's and we also played at the Aria Hall of Fame ceremony when the Mentals were inducted in 2009.” Olympic Athlete Shirt Design For the 2000 Sydney Olympic Games, Mombassa designed athletes’ shirts worn at the Closing Ceremony and a segment called ‘Heroes’, watched by millions worldwide. It featured two 20m-high helium filled dirigibles, twelve 6m-high inflatables, and sixteen air-filled balls that rolled around the crowd. What inspired his work for the widely appraised sequence? “It was loosely based on the creatures and subject matter of the pictures I had done for Mambo and for gallery exhibitions previously.” Beachside Barbecue. Artwork: Reg Mombassa Mombassa’s 2014 exhibition, Hallucinatory Anthropomorphism: paraphysical manifestations of the collective unconscious, perfectly sums up the dreamlike quality that recurs throughout his artwork. Has he ever experimented with psychotropic substances (like magic mushrooms) to inspire his artwork, or is his imagination feverish enough without imbibing hallucinogens? “I have always had a lively and somewhat gloomy and paranoid imagination but I did briefly flirt with mushrooms, LSD and mescaline when quite young, but the experiences were usually quite horrific so I subsequently avoided that activity.” Born in New Zealand Most people are unaware Mombassa originally hails from New Zealand, arriving in Sydney at the age of 18 in 1969. However, like many movers and shakers from the lands of the long white clouds that relocated to Oz, such as actor Russell Crowe, country singer Keith Urban, racehorse Phar Lap, the Southern Cross on the Aussie flag, and, controversially, Lamington and Pavlova cakes, we’ve claimed him as ours. But after 50+ years, does he still identify as a Kiwi or call himself Australian now? “I am now a naturalised Australian but I still have a great fondness for New Zealand and I still do a lot of pictures based on the New Zealand landscape.” Dog Trumpet - the O'Doherty brothers O'Doherty Brothers - Dog Trumpet discography After 30 years the music of Dog Trumpet went global in July 2021 in a deal with Demon Records that saw their recorded output digitally available worldwide. In Oct 2021, the band’s seven albums were available together on vinyl for the first time. Demon Records describe the brothers’ music as “an eclectic blend of rock, psychedelic folk and semi-abstract blues; whimsical, political, curious, intimate, scientific, erotic and witty.” “We released a new album, Great South Road, last year,” Mombassa revealed, “and we are currently about halfway through recording a new album.” So, with ‘eclectic’ music in the pipeline and surreal artworks in creation, you can continue to expect the unexpected from the nutty genius and his fevered imagination… Reg Mombassa's website FB: www.facebook.com/RegMombassa Dog Trumpet: https://dogtrumpet.net/ Chris O'Doherty, aka Reg Mombassa - the genius personified. Photo: Greg Weight ======================================

Could the gorgeous Black Swan painted at 103 Howard Ave, Dee Why really be bad luck to step on? By Alec Smart More on Dee Why A black swan, set against a two-tone blue and white background, is painted on the footpath in front of 103 Howard Avenue, Dee Why. However, locals often walk around it, mindful that treading on the black bird reputedly brings bad luck. Dee Why’s Black Swan Painting Howard Avenue’s southern side footpath has hosted a black swan painting for almost a century; the first was estimated to have appeared in 1925. It was painted by an unidentified artist, perhaps a tenant of the original house behind, which was replaced by a 3-storey apartment block in the early 1990s. The black swan has since been repainted, enhanced, and, latterly, replaced when new paving stones were laid in Nov 2020, whereupon it doubled in size to cover two pavers. Council Youth Development Officer Cameron Wall was the artist employed to repaint the iconic black bird on the new paving – he previously repainted it in 2016. Recently, in Sept 2021, additional improvements were made – the beak painted red and feathers added to the wings. A black swan is an unofficial icon for Dee Why because flocks were once prevalent on Dee Why Lagoon, although rare in recent years. According to the Northern Beaches Council website: “The rarity of the black swans on the lagoon is a result of the sea grasses the swans feed on no longer growing in abundance, due to the urban development in the catchment area and the increasing rate of siltation.” Dee Why Surf Life Saving Club (SLSC), founded 1912, incorporates a black swan into a life-saving ring for their logo. So does the Dee Why Bowling & Recreation Club and the Friends of Dee Why Lagoon. But is it unlucky to walk on? Prior to the path upgrade, the grass on either side of the previous pavement painting was worn back to dirt by divergent footware. At present the grass is growing as well as it can be (considering it is in direct sunlight for most of the day). But because Covid-19 lockdowns have lessened foot traffic to the nearby beach and promenade of shops along The Strand, it is difficult to tell whether the superstitious tradition remains. A surveillance operation on a Friday afternoon by this investigator found an average of only one in 20 pedestrians detoured around the black swan. However, another short watch on a Saturday eve revealed six out of 10 pedestrians stepped around it. Presumably those avoiding direct contact with the painted pavers were locals, familiar with the legend of bad luck visited upon those tramping on the bird, whereas those taking their chances were visitors. What are your thoughts – is it bad luck to walk upon the black swan painting? The footpath in front of 103 Howard Ave, Dee Why. Photos by Alec Smart ========================================================